Total files: 281 Total pages: 12141
| Composer | Title | Subtitle | Period | Players | Text | Pages | Downloads |
|---|---|---|---|---|---|---|---|
| Zacara da Terano, Antonio | Sumite Karissimi | Arranged for several combinations of three viols | Medieval | trio | Arranged for several combinati... | 14 | 29 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Primo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 16 | 109 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Segondo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 30 | 108 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Terzo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores and parts. The... | 34 | 108 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Quarto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full scores and parts. The top... | 19 | 100 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Quinto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full scores and parts. The top... | 17 | 98 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Sesto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 15 | 86 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Settimo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. All stav... | 15 | 105 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Ottavo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores and parts. The... | 17 | 96 |
| Willaert, Adrian (c. 1490-1562) | Ricercar Decimo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores - one for treb... | 6 | 85 |
| Wilbye, John (1574-1638) | 13 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. 32 pages. | Renaissance | trio | Transcribed for treble, tenor,... | 32 | 109 |
| Weelkes, Thomas (1575 -1623) | 18 Madrigals | from Ayres or Phantasticke Spirits for Three Voices (1608). Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 23 | 117 |
| Weelkes, Thomas (1575 -1623) | 5 Four-Voice Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 11 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 13 | 88 |
| Ward, John (1571-1638) | A satyr once did run away | Transcribed for treble, treble, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 2 | 79 |
| von Westhoff, Johann Paul (1665-1705) | Gigue | Suite in A minor | Baroque | solo | This is a curious piece from o... | 3 | 98 |
| Victoria, Tomas Luis de (1548-1611) | Beati Immaculati | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 101 |
| Victoria, Tomas Luis de (1548-1611) | Doctor Bonus Amica Dei | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 103 |
| Victoria, Tomas Luis de (1548-1611) | Domine, non sum dignus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 107 |
| Victoria, Tomas Luis de (1548-1611) | Ecce sacerdos magnus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 101 |
| Victoria, Tomas Luis de (1548-1611) | Ego sum panis vivus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 89 |
| Victoria, Tomas Luis de (1548-1611) | Hosanna filio David | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 96 |
| Victoria, Tomas Luis de (1548-1611) | Miserere mei | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 109 |
| Victoria, Tomas Luis de (1548-1611) | O decus apostolicum | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 100 |
| Victoria, Tomas Luis de (1548-1611) | Pueri Hebraeorum | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 99 |
| Victoria, Tomas Luis de (1548-1611) | Quam pulchri sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 103 |
| Victoria, Tomas Luis de (1548-1611) | Senex puerum portabat | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 93 |
| Victoria, Tomas Luis de (1548-1611) | Tres sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 97 |
| Victoria, Tomas Luis de (1548-1611) | Vere languores | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 102 |
| Victoria, Tomas Luis de (1548-1611) | 33 Sacred Motets | Transcribed for treble, tenor, tenor and bass viol consort. 82 pages. | Renaissance | quartet | This collection of transcripti... | 85 | 102 |
| Verdelot, Philippe (c. 1480- c. 1530) | Il Primo Libro de Madrigali, 1533 | Transcribed for treble, tenor, tenor and bass viol consort. 59 pages. | Renaissance | quartet | 28 short madrigals by the "fat... | 59 | 101 |
| Various | Twenty Christmas Carols | Arranged for four viols | Various | quartet | These traditional carols are p... | 42 | 99 |
| Various | Manchester Lyra Viol Book | 27 Treble Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 107 |
| Various | Manchester Lyra Viol Book | 27 Tenor Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 99 |
| Various | Manchester Lyra Viol Book | 27 Bass Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 115 |
| Various | Select Preludes | Originally for violin. Published by John Walsh, 1705. | Baroque | solo | A collection of 35 preludes or... | 130 | 105 |
| Various | Three Lute Fantasias by Francesco da Milano & Giovanni Battista dalla Gostena | Dis-intabulated for treble, tenor and bass viol consort | Renaissance | trio | Dis-intabulated for treble, te... | 13 | 18 |
| Van Eyck, Jacob (1590-1657) | Der Fluyten Lust-hof, Volume 1 | Arranged for tenor viol | Baroque | solo | Originally for recorder, this ... | 149 | 126 |
| Tye, Christopher (c. 1500-1573) | 24 Easy Anthems, Motets and Carols | Transcribed for treble, tenor, tenor and bass viol consort Dick Yates. 30 pages. | Renaissance | quartet | This collection of transcripti... | 33 | 105 |
| Traditional | 30 Irish, English and Scottish Dances | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 73 | 107 |
| Traditional | 55 Irish, English and Scottish Dances, Vol. 3 | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 125 | 95 |
| Traditional | 24 Irish, English and Scottish Dances, Vol. 2 | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 45 | 106 |
| Tomkins, Thomas (1572-1656) | 12 Four-Voice Madrigals and Anthems | Transcribed for treble, tenor, tenor, and bass viol consort. 32 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 32 | 96 |
| Tomkins, Thomas (1572-1656) | 10 Three-Voice Anthems | Transcribed for treble, tenor and bass viol consort. 21 pages. | Renaissance | trio | Transcribed for treble, tenor ... | 21 | 110 |
| Tomkins, Thomas (1572-1656) | Six Songs for Three Voices | Arranged for treble, treble and tenor viol consort. | Baroque | trio | Arranged for treble, treble an... | 19 | 22 |
| Tomkins, Thomas (1572-1656) | Six Songs for Three Voices | Arranged for tenor, tenor and bass viol consort. | Baroque | trio | Arranged for tenor, tenor and ... | 19 | 28 |
| Tollius, Jan (c.1550-1620) | 13 Three-Voice Motets | From Moduli Trium Vocum, 1597 | Renaissance | trio | From Moduli Trium Vocum
| 36 |
140 |
|
| Telemann, Georg Philipp (1681-1767) | Twelve Fantasias for Viola da Gamba | transcribed for tenor viola da gamba | Baroque | solo | Originally for bass viol. 43 p... | 43 | 107 |
| Telemann, Georg Philipp (1681-1767) | Fantasie 11 | From 12 Fantasias for Violin without Bass TWV: 40:24 | Baroque | solo | Includes versions for tenor, b... | 14 | 102 |
| Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two treble viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 111 |
| Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two tenor viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 79 |
| Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two bass viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 81 |
| Telemann, Georg Philipp (1681-1767) | Six Canonic Sonatas | Op. 5, TWV 40:118-123 | Baroque | duet | Arranged for two bass, two ten... | 81 | 110 |
| Telemann, Georg Philipp (1681-1767) | Triosonate F-dur, Twv 42: F7 | Arranged for treble, treble and bass viol. | Baroque | trio | Originally for two recorders a... | 8 | 99 |
| Taverner, John (1490-1545) | 13 Three-voice Pieces | From Tudor Church Music, 1922. Arranged for several combinations of three viols | Renaissance | trio | From Tudor Church Music
| 24 |
29 |
|
| Taverner, John (!1490-1545) | Western Wind Mass | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 61 | 83 |
| Tartini, Giuseppe (1692-1770) | 26 Piccole Sonate | Selected Pieces arranged for viol | Rococo | solo | Thirteen short pieces original... | 48 | 120 |
| Tallis, Thomas (c. 1505-1585) | Alleluia, ora pro Nobis | Sacred Motet | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 105 |
| Sweelinck, Jan Pieterszoon (1562-1621) | Seigneur enten ma requeste | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 2 | 99 |
| Susato, Tielman (1500-1570) | Premier Livre des Chansons a Trois Parties, 1544 | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 82 | 30 |
| Susato, Tielman (1500-1570) | Premier Livre des Chansons a Trois Parties, 1544 | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 82 | 30 |
| Supriano, Francesco Paolo | Twelve Toccate for violoncello solo | Arranged for viola da gamba | Baroque | solo | Includes versions for treble, ... | 66 | 106 |
| Solage (c. 1350-c. 1403) | Fumeux fume par fumée | Transcribed for three viols | Medieval | trio | Transcribed for three viols: t... | 6 | 28 |
| Scotto, Girolamo (c.1505-1572) | 49 Three-voice Madrigals | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass, and ... | 149 | 84 |
| Scotto, Girolamo (c.1505-1572) | 49 Three-voice Madrigals | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 149 | 76 |
| Schenck, Johannes (1660-1712) | Sonata 4 | Transcribed from the Vienna Manuscript. For bass viol | Baroque | solo | Transcribed from a facsimile o... | 7 | 88 |
| Schenck, Johannes (1660-1712) | Sonata 4 | Transcribed from the Vienna Manuscript. For tenor viol | Baroque | solo | Transcribed (into D minor) fro... | 8 | 108 |
| Schenck, Johannes (1660-1712) | Sonata 5 | Transcribed from the Vienna Manuscript. For tenor viol | Baroque | solo | Transcribed (into D minor) fro... | 7 | 101 |
| Schenck, Johannes (1660-1712) | Sonata 5 | Transcribed from the Vienna Manuscript. For bass viol | Baroque | solo | Transcribed from a facsimile o... | 7 | 105 |
| Schenck, Johannes (1660-1712) | Sonata | L'Echo du Danube, Op.9, No.5. For tenor viol | Baroque | solo | Transcribed tenor viol. 5 page... | 5 | 95 |
| Schenck, Johannes (1660-1712) | Sonata | L'Echo du Danube, Op.9, No.6. For tenor viol | Baroque | solo | Transcribed tenor viol. 8 page... | 8 | 94 |
| Scarlatti, Alessandro (1660-1725) | Miserere Mei | Transcribed for treble, tenor, tenor and bass viol consort | Baroque | quartet | Transcribed for treble, tenor,... | 3 | 100 |
| Rusca, Claudia Francesca (1593-1676) | Due Canzoni | Canzon Prima detta LA BORROMEA à 4 and Canzon Seconda à 4 | Renaissance | quartet | Full score and complete parts ... | 30 | 82 |
| Ruffo, Vincenzo (c.1508-1587) | Eight Caprici | Capricci in Musica a 3 voci (Francesco Moscheni press, Milan, 1564) | Renaissance | trio | Eight caprici arranged for tre... | 34 | 100 |
| Ruffo, Vincenzo (c.1508-1587) | La Gamba in Basso e Soprano | Transcribed for treble, tenor, and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor,... | 3 | 20 |
| Robert Fayrfax (1464-1521) | Five Songs for Three Voices | Arranged for treble, tenor and bass viol consort | Renaissance | trio | Arranged for treble, tenor and... | 17 | 27 |
| Richafort, Jean (1480 -1547) | Christe totius dominator orbis | Transcribed for treble, tenor, tenor and bass viols | Renaissance | quartet | Transcribed for treble, tenor,... | 7 | 111 |
| Rhau, Georg, publisher (1488-1548) | Tricinia | "Both ancient and modern in the art of the music of the symphonists, Latin, German, Belgian and French that have not been printed before this." Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | 90 vocal trios transcribed for... | 245 | 21 |
| Rhau, Georg, publisher (1488-1548) | Tricinia | "Both ancient and modern in the art of the music of the symphonists, Latin, German, Belgian and French that have not been printed before this." Transcribed for treble, tenor and tenor viol consort. | Renaissance | trio | 90 vocal trios transcribed for... | 245 | 11 |
| Rhau, Georg, publisher (1488-1548) | Selectae Harmoniae Quatuor Vocum | De Passione Domini | Renaissance | quartet | 74 vocal quartets transcribed ... | 219 | 5 |
| Purcell, Henry (1659-1695) | Sonatas of Three Parts | 12 Sonatas, originally for two violins and cello, Z. 790-801. | Baroque | trio | 12 Sonatas, Z. 790-801, origin... | 99 | 108 |
| Purcell, Henry (1659-1695) | Sonatas of Four Parts | 10 Sonatas, originally for two violins, bass and continuo, Z. 802-811. | Baroque | trio | 10 Sonatas, Z. 802-811, origin... | 97 | 113 |
| Purcell, Henry (1659-1695) | Three Fantasias for Three Viols | Large staff scores for ancient eyes | Baroque | trio | Composed for treble, tenor and... | 16 | 109 |
| Pullois, Johannes (1430-1478) | Three Part Chansons | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Arranged for treble, treble, a... | 25 | 12 |
| Pullois, Johannes (1430-1478) | Three Part Chansons | Arranged for tenor, tenor and bass viol consort | Renaissance | trio | Arranged for tenor, tenor and ... | 25 | 13 |
| Piazzi, Carlo | Balletti, Correnti, Gighe, e Sarabande à trè due Violini e Violone | Arranged for treble, treble and tenor or bass viol consort. | Baroque | trio | Balletti, Correnti, Gighe, e S... | 83 | 79 |
| Philippus de Caserta (1350-1420) | Espoir | Medieval | trio | Originally for three voices, a... | 3 | 97 | |
| Philippe le Chancelier (ca. 1160–1236) | Luto Carens | Transcribed for all combinations of three viols | Medieval | trio | Transcribed for all combinatio... | 32 | 28 |
| Perotin (fl. 1200) | Two Pieces by Perotin | Ave Maris Stella and Quid Tu Vides arranged for treble, tenor and tenor viol consort | Medieval | trio | Ave Maris Stella and ... | 6 | 12 |
| Pérotin (1160-1230) | Ave Maris Stella | Arranged for three viols (two versions) | Medieval | trio | Two versions: Treble, tenor an... | 12 | 112 |
| Pérotin (1160-1230) | Triplum Organum | Arranged for three viols | Medieval | trio | Arranged for treble, tenor and... | 3 | 109 |
| Pérotin (1160-1230) | Quid Tu Vides | Arranged for three viols (two versions) | Medieval | trio | Two versions: Treble, treble a... | 6 | 107 |
| Palestrina, G. P. da (c. 1525-1594) | Motecta Festorum for Four Voices, Book One, 1564 | Transcribed for treble, tenor, tenor and bass viol consort. 136 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 139 | 90 |
| Palestrina, G. P. da (c. 1525-1594) | Motecta Festorum for Four Voices, Book Two, 1587 | Transcribed for treble, tenor, tenor and bass viol consort. 78 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 78 | 97 |
| Palestrina, G. P. da (c. 1525-1594) | Missa Emendemus | Missarum liber septimus, 1594 | Renaissance | quartet | Arranged for treble, tenor, te... | 17 | 99 |
| Palestrina, G. P. da (c. 1525-1594) | Missa Iste Confessor | Missarum liber quintus, 1590 | Renaissance | quartet | Arranged for treble, tenor, te... | 18 | 107 |
| Palestrina, G. P. da (c. 1525-1594) | Missa Lauda Sion | Missarum liber quartus, 1582 | Renaissance | quartet | Arranged for treble, tenor, te... | 17 | 105 |
| Orlando di Lasso (1532-1594) | Laudate Dominum Omnes Gentes | from Magnum opus musicum (Munich 1604), LV 1122 | Renaissance | 12 parts | For 12 part viol orchestra. Fu... | 67 | 119 |
| Orlando di Lasso (1532-1594) | 25 Harmonized Psalms | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 51 | 33 |
| Ockeghem, Johannes (1410-1497) | Missa Quinti Toni | Arranged for treble/tenor, tenor/bass and bass viol consort. | Renaissance | trio | Arranged for treble/tenor, ten... | 63 | 14 |
| Ockeghem, Johannes (1410-1497) | Missa Sine Nomine a 3 | Arranged for treble/tenor, tenor/bass and tenor/bass viol consort (two sets of clefs) | Renaissance | trio | Arranged for treble/tenor, ten... | 55 | 16 |
| Mozart, Wolfgang Amadeus (1756-1791) | Fugue in G Major, KV 443 | Originally for violin, viola and cello. Arranged for treble, tenor and bass viols. | Classical | trio | Originally for violin, viola a... | 4 | 106 |
| Morton, Robert (1430-1479) | Eight Rondeaux | Arranged for treble, tenor and bass viol trio | Renaissance | trio | Arranged for treble, tenor and... | 15 | 13 |
| Morton, Robert (1430-1479) | Eight Rondeaux | Arranged for treble, tenor and tenor viol trio | Renaissance | trio | Arranged for treble, tenor and... | 15 | 13 |
| Mortaro, Antonio (c. 1570-1620) | Five Sacred Songs | Arranged for treble, treble and bass, or treble, treble and tenor viol consort. | Baroque | trio | Arranged for treble, treble an... | 35 | 38 |
| Morley, Thomas (c. 1557-1602) | Madrigals to Four Voices | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 67 | 81 |
| Morley, Thomas (c. 1557-1602) | Madrigals to Four Voices | Transcribed for treble, treble, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 62 | 106 |
| Morley, Thomas (c. 1557-1602) | Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, tenor, tenor viol consort. | Renaissance | trio | 20 Canzonets originally for vo... | 71 | 87 |
| Morley, Thomas (c. 1557-1602) | Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, treble, tenor viol consort. | Renaissance | trio | 20 Canzonets originally for vo... | 71 | 114 |
| Morales, Cristóbal de (c.1500-1553) | Si no os hubiera mirado | Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 1 | 81 |
| Morales, Cristóbal de (c.1500-1553) | Puer natus est nobis | Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 104 |
| Morales, Cristóbal de (c.1500-1553) | Nine Benedictus | Arranged for three viols, from masses by Morales | Renaissance | trio | Most of Morales' masses, regar... | 18 | 109 |
| Monteverdi, Claudio (1567-1643) | 14 Three-voice Madrigals and Motets | Transcribed for treble, tenor and bass viol consort | Baroque | trio | Transcribed for treble, tenor ... | 23 | 105 |
| Monteverdi, Claudio (1567-1643) | Messa da Capella a quattro voci (1641) | Transcribed for treble, tenor, tenor, and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 56 | 98 |
| Merulo, Claudio (1533-1604) | 7 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor,... | 16 | 103 |
| Martini, Johannes (1440-1498) | Three Untitled Pieces | Arranged for treble, tenor, and bass viol consort | Renaissance | trio | Arranged for treble, tenor, an... | 10 | 24 |
| Marenzio, Luca (1553-1599) | Madrigali a quattro voci libro primo, 1585 | Transcribed for treble, tenor, tenor and bass consort. 90 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 90 | 105 |
| Lupo, Thomas (1571-1627) | 19 Three-Part Fantasias | For various combinations of viols | Renaissance | trio | For various combinations of th... | 84 | 107 |
| Loeillet, Jean-Baptiste (1688-1720) | Trio Sonata, Op.2, No.1 | originally for two violins and bass | Baroque | trio | Arranged for two treble viols ... | 8 | 99 |
| Loeillet, Jean-Baptiste (1688-1720) | Trio Sonata, Op.2, No.2 | originally for two violins and bass | Baroque | trio | Arranged for two treble viols ... | 14 | 100 |
| Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for treble, treble and tenor viol consort | Renaissance | trio | Arranged for treble, treble an... | 147 | 26 |
| Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 147 | 23 |
| Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for tenor, tenor and bass viol consort | Renaissance | trio | Arranged for tenor, tenor and ... | 147 | 20 |
| Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 147 | 21 |
| Lawes, William (1602-1645) | Suite No.1 for 3 Viols and Organ | Transcribed for treble, treble and tenor viol consort | Baroque | trio | Transcribed for treble, treble... | 11 | 29 |
| Lawes, William (1602-1645) | Fantasia Suites for 3 Viols and Organ | Arranged for treble, treble, and tenor viol consort | Baroque | trio | Eight three-movement suites ea... | 90 | 37 |
| Lasso, Orlando di (1532-1594) | 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, treble, tenor and bass viol consort | Renaissance | quartet | This collection of transcripti... | 100 | 103 |
| Lasso, Orlando di (1532-1594) | 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, tenor, tenor and bass viol consort | Renaissance | quartet | This collection of transcripti... | 110 | 96 |
| Lasso, Orlando di (1532-1594) | 15 Three-Voice Motets | From Liber Mottetarum 3 Vocum, 1575. Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | From Liber Mottetarum 3 Vo... | 50 | 114 |
| Lasso, Orlando di (1532-1594) | Domine, Deus Meus | For three viols | Renaissance | trio | Full score, 2 pages, with larg... | 4 | 94 |
| Landini, Francesco (1335-1397) | 39 Ballate & Madrigals | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble an... | 110 | 102 |
| Landini, Francesco (1335-1397) | 39 Ballate & Madrigals | Arranged for tenor, tenor, and bass viol consort | Medieval | trio | Arranged for tenor, tenor and ... | 110 | 68 |
| Josquin des Prez (c. 1450-1521) | Seven Four-Voice Sacred Motets (TrTeTeBa) | Arranged for viol consort (treble, tenor, tenor, bass) | Renaissance | quartet | Full scores for treble, tenor,... | 42 | 108 |
| Josquin des Prez (c. 1450-1521) | Seven Four-Voice Sacred Motets (TrTrTeBa) | Arranged for viol consort (treble, treble, tenor, tenor, bass) | Renaissance | quartet | Full scores for treble, treble... | 46 | 103 |
| Josquin des Prez (c. 1450-1521) | Dulces exuviae | Arranged for treble, treble, tenor and bass viols. | Renaissance | quartet | Arranged for treble, treble, t... | 3 | 114 |
| Josquin des Prez (c. 1450-1521) | Fama malum | Arranged for viol consort (treble, treble, tenor, bass) | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 109 |
| Josquin des Prez (c. 1450-1521) | Mille regrets | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 103 |
| Josquin des Prez (c. 1450-1521) | Scaramella fa la guerra | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 98 |
| Josquin des Prez (c. 1450-1521) | Alma Redemptoris Mater | Arranged for viol consort (treble, treble, treble, bass) | Renaissance | quartet | Arranged for viol consort (tre... | 5 | 99 |
| Josquin des Prez (c. 1450-1521) | Ave Maris Stella | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 8 | 104 |
| Josquin des Prez (c. 1450-1521) | Benedicta Sit Creatrix | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 115 |
| Josquin des Prez (c. 1450-1521) | Christe, Fili Dei | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 87 |
| Josquin des Prez (c. 1450-1521) | In Flagellis Potem Fellis | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 101 |
| Josquin des Prez (c. 1450-1521) | Tu Pauperum Refugium | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 97 |
| Josquin des Prez (c. 1450-1521) | O Bone et Dulcis Domine Jesu | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 114 |
| Josquin des Prez (c. 1450-1521) | O Salutaris Hostia | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 85 |
| Josquin des Prez (c. 1450-1521) | Rubum Quem Viderat | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 86 |
| Josquin des Prez (c. 1450-1521) | Victimae Paschali Laudes | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 86 |
| Josquin des Prez (c. 1450-1521) | Virgo Prudentissima | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 79 |
| Josquin des Prez (c. 1450-1521) | Vultum Tuum | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 100 |
| Josquin des Prez (c. 1450-1521) | En l'ombre d'un buissonnet | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 109 |
| Josquin des Prez (c. 1450-1521) | Il Fantazies de Joskin | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 24 |
| Jenkins, John (1592-1678) | 21 Three-part Fantasias | Arranged for treble, treble and tenor viol consort. | Baroque | trio | Includes full scores and parts... | 256 | 116 |
| Isaac, Heinrich (1450-1517) | Donna di dentro di tua casa | Arranged for viol consort (treble, tenor, tenor, bass). 3 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 85 |
| Isaac, Heinrich (1450-1517) | Innsbruck, ich muss dich lassen | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 102 |
| Isaac, Heinrich (1450-1517) | Mein Freud allein | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 120 |
| Isaac, Heinrich (1450-1517) | Tmeisken was jonck | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 94 |
| Isaac, Heinrich (1450-1517) | Alleluia Magnificat | Arranged for viol consort (treble, treble, tenor, bass). 3 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 88 |
| Isaac, Heinrich (1450-1517) | 24 Instrumental Movements | Transcribed for treble, tenor and tenor viol consort. | Renaissance | trio | Trios from the Weltliche W... | 76 | 29 |
| Isaac, Heinrich (1450-1517) | Adieu fillette de regnon | Arranged for treble, tenor, bass viol consort | Renaissance | trio | Arranged for treble, tenor, ba... | 3 | 23 |
| Hugo de Lantins (fl. 1420–1430) | Three Part Works | Arranged for tenor, bass and bass viol trio | Renaissance | trio | Arranged for tenor, bass and b... | 40 | 8 |
| Hugo de Lantins (fl. 1420–1430) | Three Part Works | Arranged for treble, treble and tenor viol trio | Renaissance | trio | Arranged for treble, treble an... | 40 | 10 |
| Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Technically easy trios for tre... | 71 | 26 |
| Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Technically easy trios for tre... | 71 | 22 |
| Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for tenor, tenor, and bass viol consort | Renaissance | trio | Technically easy trios for ten... | 71 | 25 |
| Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for tenor, bass, and bass viol consort | Renaissance | trio | Technically easy trios for ten... | 71 | 23 |
| Holborne, Anthony (1545-1602) | 2 Three-Part Fantasias | For various combinations of three viols | Renaissance | trio | Alternate versions of each Fan... | 12 | 108 |
| Hely, Benjamin | Three Suites | From The Compleat Violist, 1699 | Baroque | solo | Originally for bass viol. This... | 26 | 102 |
| Guillaume de Machaut (1300-1377) | 15 Two-Voice Ballades | Transcribed for viola da gamba duo | Medieval | duet | 60 pages. There are three vers... | 60 | 78 |
| Guillaume de Machaut (1300-1377) | La Messe de Nostre Dame | Medieval | quartet | Arranged for four viols. Inclu... | 146 | 100 | |
| Guillaume de Machaut (1300-1377) | Rose, Liz, Printemps, Verdure | Four-part rondeau | Medieval | quartet | A four part rondeau arranged f... | 4 | 95 |
| Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for treble, tenor, and tenor viol consort | Medieval | trio | Transcribed for treble, tenor,... | 45 | 33 |
| Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for tenor, tenor, and bass viol consort | Medieval | trio | Transcribed for tenor, tenor, ... | 45 | 30 |
| Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for tenor, bass, and bass viol consort | Medieval | trio | Transcribed for tenor, bass, a... | 45 | 38 |
| Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for treble, tenor and tenor recorder consort | Medieval | trio | Transcribed for treble, tenor ... | 45 | 27 |
| Guillaume de Machaut (1300-1377) | Tres Bonne et Belle | Arranged for treble, tenor and tenor viol consort | Medieval | trio | Arranged for treble, tenor and... | 2 | 17 |
| Guillaume de Machaut (1300-1377) | Three-Voice Rondeaux | Arranged for 3 treble, 3 tenor or 3 bass viol consort | Medieval | trio | Arranged for 3 treble, 3 tenor... | 68 | 22 |
| Gibbons, Orlando (1583-1625) | Fantasia, VdGS #2 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 10 | 90 |
| Gibbons, Orlando (1583-1625) | Fantasia, VdGS #3 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 8 | 104 |
| Gibbons, Orlando (1583-1625) | Fantasia, VdGS #4 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 8 | 86 |
| Gibbons, Orlando (1583-1625) | Fantasia, VdGS #1 | for three viols | Renaissance | trio | For treble, tenor and bass. Fu... | 4 | 99 |
| Gibbons, Orlando (1583-1625) | Fantasia No. 4 with great double bass | Arranged for treble, tenor and six-string bass viol. | Renaissance | trio | One of a set of four written f... | 8 | 85 |
| Ghizeghem, Hayne van (c.1445-c.1475) | Amours amours trop me fiers de tes dars | Laborde, f. 93v-94r | Renaissance | trio | Full score. 3 pages.... | 3 | 95 |
| Ghizeghem, Hayne van (c.1445-c.1475) | 12 Chansons | Transcribed for treble, tenor, and bass viol consort | Renaissance | trio | Full scores with large staves.... | 31 | 96 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 26 | 29 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 26 | 33 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for tenor, bass and bass viol consort | Renaissance | trio | Transcribed for tenor, bass an... | 26 | 26 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 33 | 24 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 33 | 25 |
| Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for tenor, bass and bass viol consort | Renaissance | trio | Transcribed for tenor, bass an... | 33 | 30 |
| Ghiselin, Johannes (fl. 1455–1511) | 5 Four-voice Chansons | Transcribed for viol consort. | Renaissance | quartet | Transcribed for viol consort. ... | 126 | 29 |
| Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Arranged for treble, tenor, an... | 96 | 20 |
| Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Arranged for treble, treble, a... | 96 | 15 |
| Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for tenor, tenor, and bass viol consort | Renaissance | trio | Arranged for tenor, tenor, and... | 96 | 30 |
| Gesualdo, Carlo (1566-1613) | 23 Five-Part Madrigals | From Madrigali a 5 voci, libro sesto, 1611. Transcribed for viol consort. | Renaissance | quintet | From Madrigali a 5 voci, l... | 86 | 107 |
| Gero, Jhan (fl. 1540-1555) | 10 Three-Voice Madrigals | 16th Century | Renaissance | trio | 16th Century. Transcribed for ... | 22 | 84 |
| Gastoldi, Giovanni (c. 1554-1609) | 16 Easy Madrigals | From Balletti a Tre Voci, 1594. | Renaissance | trio | From Balletti a Tre Voci
| 34 |
99 |
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| Gabrieli, Domenico (1651-1690) | Seven Ricercares for Solo Cello | Arranged for treble, tenor or bass viol | Baroque | solo | This collection is the earlies... | 73 | 100 |
| Gabrieli, Andrea (c.1532-1585) | Maria Magdalene | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 105 | |
| Gabrieli, Andrea (c.1532-1585) | Sancta et Immaculata | Renaissance | quartet | Arranged for treble, treble, t... | 3 | 95 | |
| Gabrieli, Andrea (c.1532-1585) | Angelus ad Pastores ait | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 105 | |
| Gabrieli, Andrea (c.1532-1585) | 11 Three-Voice Madrigals | From Libro primo de madrigali a 3 voci, 1575 | Renaissance | trio | From Libro primo de madrig... | 63 | 108 |
| Gabriel Fauré (1845-1924) | Allegro Moderato | For tenor and tenor or bass viols | Classical | duet | Originally for two cellos. 1 p... | 1 | 86 |
| G.B. della Gostena (c. 1540-1598) | Fantasia XXV | Arranged for treble, tenor and bass viol consort from the 1599 lute tablature. | Renaissance | trio | Arranged for treble, tenor and... | 3 | 19 |
| Francesco Canova da Milano (1497-1543) | Fantasia da mon Triste | Arranged for treble, tenor and bass viol consort from the 1546 lute tablature. | Renaissance | trio | Arranged for treble, tenor and... | 3 | 18 |
| Finck, Heinrich (c.1445-1527) | Missa de Beata Virgine | Arranged for treble, tenor and bass viol consort | Renaissance | trio | Arranged for treble, tenor and... | 27 | 19 |
| Feroci, Francesco (1673-1750) | Mass in G minor | Arranged for three viols | Baroque | trio | Arranged for viol trio. Four v... | 84 | 16 |
| Farmer, John (1570?-1605) | 21 Psalms, Motets and Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 31 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 31 | 101 |
| East, Michael (c.1580-1648) | Five Madrigals | Transcribed for treble, treble, tenor and bass viol consort | Renaissance | quartet | Five secular madrigals transcr... | 13 | 102 |
| Dunstaple, John (1390-1453) | Missa Rex Seculorum | Arranged for three viols | Medieval | trio | One of the earliest settings o... | 47 | 246 |
| Dunstaple, John (1390-1453) | Missa Rex Seculorum | Arranged for treble, tenor and bass viol consort | Medieval | trio | Arranged for treble, tenor and... | 47 | 72 |
| Dunstaple, John (1390-1453) | Regina Coeli | Arranged for various combinations of three viol | Medieval | trio | Arranged for treble-treble-tre... | 22 | 35 |
| Dunstable, John (c.1390-1453) | Four Songs | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 9 | 2 |
| DuFay, Guillaume (?-1474) | Twelve Sacred and Secular Works for voices or instruments | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 33 | 16 |
| DuFay, Guillaume (?-1474) | Twelve Sacred and Secular Works for voices or instruments | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 33 | 17 |
| DuFay, Guillaume (?-1474) | Magnificat Quinti Toni | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 5 | 11 |
| du Caurroy, Eustache (1549–1609) | 7 Three-Part Fantasias | For various combinations of viols | Renaissance | trio | Each of the seven Fantasias ha... | 73 | 100 |
| Dowland, John (1563-1626) | 68 Songs, Madrigals, Hymns and Chorales | Transcribed for treble, tenor, tenor and bass viol consort. 100 pages. | Renaissance | quartet | This collection of transcripti... | 100 | 72 |
| Dowland, John (1563-1626) | Farewell | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Renaissance | trio | Includes full score and parts,... | 13 | 104 |
| Dowland, John (1563-1626) | Come Heavy Sleep | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Renaissance | trio | Transcribed from lute talbatur... | 1 | 102 |
| de Vitry, Philippe (1291-1361) | Hugo Princeps | Arranged for all combinations of three viols | Medieval | trio | Arranged for all combinations ... | 20 | 29 |
| de Vitry, Philippe (1291-1361) | Garrit Gallus | Arranged for all combinations of three viols | Medieval | trio | Arranged for all combinations ... | 26 | 46 |
| de Orto, Marbrianus (1460-1529) | Missa Dominicalis | Arranged for four voice viol consort | Renaissance | quartet | Arranged for four voice viol c... | 83 | 27 |
| de Monte, Philippe (1521-1603) | 24 Madrigals for 3 Voices | Arranged for treble, tenor, and tenor viol consort. | Renaissance | trio | Full scores with large staves.... | 63 | 104 |
| de Fesch, Willem (1687-1761) | Six Sonata Duets, Op. 4b | Arranged for two treble, or two tenor, or two bass viols | Baroque | duet | Originally for two cellos. 131... | 131 | 110 |
| de Fesch, Willem (1687-1761) | Six Sonata Duets, Op. 8b | Arranged for two treble, or two tenor, or two bass viols | Baroque | duet | Originally for two cellos. 99 ... | 99 | 86 |
| de Castro, Jean (c. 1540-c. 1600) | 39 Secular Chansons | from La Fleur des chansons a 3, Pierre Phalèse, 1574. | Renaissance | trio | Transcribed for treble, tenor ... | 84 | 109 |
| Davison and Apel, editors | Nine Early Trios | From the Historical Anthology of Music, transcribed for treble and tenor viols | trio | From the Historical Anthology ... | 22 | 12 | |
| Davis, T. | 24 Country Dances for the Year 1748 | For solo viol with optional bass. | Classical | solo/duet | These pieces are simple but en... | 38 | 88 |
| dall'Abaco, Joseph (1710-1805) | 7 Caprices | From 11 Capricci a violoncello solo | Baroque | solo | Includes versions for treble, ... | 40 | 105 |
| Courcelle, Francesco (1705-1778) | Libro di Contrapuncti a 3 | Arranged for most combinations of three viols | Baroque | trio | The 57 pieces are each present... | 589 | 34 |
| Courcelle, Francesco (1705-1778) | Dos pasos orgánicos a 4 | Arranged for viol quartet | Baroque | quartet | Arranged for treble, treble, t... | 31 | 24 |
| Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 4 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 80 | 101 |
| Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 3 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 102 | 113 |
| Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 2 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 68 | 106 |
| Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 1 | Originally for two violins and bass. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 89 | 109 |
| Coclico, Adrianus Petit (1499-1562) | Eight Fugues | Renaissance | trio | Eight short fugues arranged fo... | 12 | 113 | |
| Cipriano de Rore (1516-1565) | 4 Three-voice Madrigals | Arranged for treble-treble-tenor or tenor-tenor-bass viol consort | Renaissance | trio | Arranged for treble-treble-ten... | 36 | 25 |
| Ciconia, Johannes (1370-1412) | Una Panthera | Arranged for three viols | Medieval | trio | Two versions: Treble, tenor, t... | 20 | 117 |
| Ciconia, Johannes (1370-1412) | Venetia Mundi Splendor | Arranged for three viols | Medieval | trio | Two versions: Treble, treble, ... | 16 | 110 |
| Ciconia, Johannes (1370-1412) | O Padua, sidus praeclarum | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble a... | 3 | 33 |
| Ciconia, Johannes (1370-1412) | Et in Terra Pax | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble a... | 3 | 26 |
| Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two tenor viols | Classical | duet | Full score. 36 pages.... | 36 | 99 |
| Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two treble viols | Classical | duet | Full score. 36 pages.... | 36 | 101 |
| Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two bass viols | Classical | duet | Full score. 36 pages.... | 36 | 78 |
| Caron, Firminus (fl. 1460–1475) | Three Part Chansons | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 48 | 18 |
| Caron, Firminus (fl. 1460–1475) | Three Part Chansons | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 48 | 13 |
| Cabezón, Antonio de (1510-1566) | Mass | Transcribed for treble, treble/tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 7 | 102 |
| Byrd, William (1540-1623) | Mass for Five Voices | Renaissance | quintet | Arranged for treble, treble, t... | 72 | 111 | |
| Byrd, William (1540-1623) | Mass for Three Voices, 1593 | Arranged for viol consort: Treble-Tenor-Bass and Tenor-Tenor-Tenor | Baroque | trio | Twp complete scores: Treble-Te... | 32 | 111 |
| Byrd, William (1540-1623) | Four-Voice Sacred Motets | Transcribed for treble, tenor, tenor, and bass viol consort | Renaissance | quartet | 19 sacred motets transcribed f... | 69 | 108 |
| Byrd, William (1540-1623) | Four-Voice Sacred Motets | Transcribed for treble, treble, tenor, and bass viol consort | Renaissance | quartet | 17 sacred motets transcribed f... | 69 | 107 |
| Byrd, William (1540-1623) | 9 Three-Voice Motets | From Gradualia I, 1605. | Renaissance | trio | Transcribed for treble, tenor ... | 27 | 118 |
| Byrd, William (1540-1623) | Mass for Three Voices, 1593 | Arranged for treble, treble and tenor viol consort. | Renaissance | trio | 18 pages. Large staves.... | 18 | 86 |
| Byrd, William (1540-1623) | Fantasia a 5 | Two parts in one in the 4th above. | Renaissance | quintet | Full score and parts with larg... | 29 | 81 |
| Brachrogge, Hans (1590-1638) | 19 Three-Voice Madrigals | From Madrigaletti a tre voci, 1619 | Renaissance | trio | From Madrigaletti a tre vo... | 35 | 110 |
| Binchois, Gilles (c. 1400-1467) | 8 Short Pieces | Rondeaux, Motets and Ballades. Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Rondeaux, Motets and Ballades.... | 9 | 115 |
| Bateson, Thomas (1570-1630) | Six Three-Voice Secular Madrigals | The First Set of English Madrigals to 3-6 voices, 1598. | Renaissance | trio | Transcribed for treble, tenor ... | 10 | 106 |
| Bassano, Giovanni (1558-1617) | 11 Three-part Fantasias | Arranged for viol consort: treble, tenor and bass or treble, tenor and tenor | Baroque | trio | While the original score is fo... | 69 | 108 |
| Bach, J.S. (1685-1750) | Corrente | Violin Partita #1 | Baroque | solo | This is an excellent exercise ... | 6 | 101 |
| Bach, J.S. (1685-1750) | Allemande | Violin Partita #2 | Baroque | solo | This is an excellent exercise ... | 6 | 111 |
| Bach, J.S. (1685-1750) | J.S. Bach - Collected Transcriptions | for tenor viola da gamba | Baroque | solo | Eight transcriptions from Bach... | 40 | 99 |
| Bach, J.S. (1685-1750) | 22 Viol Solos from J.S. Bach's Violin and Cello works | Primarily for tenor viol, but versions for bass and treble are included. | Baroque | solo | 113 pages, paginated for print... | 113 | 91 |
| Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for tenor viol | Baroque | solo | Originally for solo violin. 13... | 13 | 98 |
| Bach, J.S. (1685-1750) | Ich ruf zu dir, Herr Jesu Christ | Chorale Prelude, BWV 639 | Baroque | trio | Arranged for treble, tenor and... | 2 | 126 |
| Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for bass viol | Baroque | solo | Originally for solo violin. 13... | 13 | 124 |
| Bach, J.S. (1685-1750) | 13 Four-Voice Chorales | Transcribed for treble, tenor, tenor, and bass viol consort. | Baroque | quartet | Transcribed for treble, tenor,... | 16 | 106 |
| Bach, J.S. (1685-1750) | Trio for Two Violins and Viola da Gamba | Arranged for two treble viols and bass viol. Score and parts. | Baroque | trio | I found the score on imslp.org... | 12 | 93 |
| Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for treble viol | Baroque | solo | Originally for solo violin. 13... | 13 | 92 |
| Arcadelt, Jacques (1507-1568) | 13 Four-voice Madrigals | Arranged for viol consort | Renaissance | quartet | Full score compiled from print... | 34 | 112 |
| Arcadelt, Jacques (1507-1568) | First Book of Madrigals for Three Voices | 31 Italian madrigals, French chansons and Latin motets arranged for a variety of viol trios | Renaissance | trio | 31 Italian Madrigals, French c... | 97 | 26 |
| Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Treble Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 81 |
| Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Tenor Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 93 |
| Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Bass Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 100 |
| Antonii, Giovanni Battista Degli (1636-1698) | Ricercate | per Violoncello o Clavicembalo, Op. 1 | Baroque | solo | 12 Ricercate. This is one of t... | 103 | 104 |
| Anonymous, 14th century | Barcelona Mass | 14th Century | Medieval | trio | Arranged for 3 and 4 viols. 23... | 24 | 94 |
| Agricola, Alexander (c.1446-1506) | Amours amours | For treble, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Renaissance | trio | Three pages, full score. Also ... | 3 | 118 |
| Agricola, Alexander (c.1446-1506) | Amours amours | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Renaissance | trio | Three pages, full score. Also ... | 3 | 128 |
| Agricola, Alexander (c.1446-1506) | D'ung aultre amer | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 70v-71r | Renaissance | trio | Three pages, full score, large... | 3 | 103 |
| Agricola, Alexander (1446-1506) | Caecus non Iudicat Coloribus | "The blind do not judge by color" Transcribed for treble, treble, and tenor viol consort | Renaissance | trio | Caecus non Iudicat Colorib... | 19 | 38 |
| Abel, Carl Friedrich (1723-1787) | Music for Solo Viola da Gamba | from the Drexel 5871 manuscript, transcribed for tenor viola da gamba | Classical | solo | 30 pieces for solo viola da ga... | 63 | 118 |
| Aagesen, Truid (fl. 1593–1625) | 22 Three-Voice Madrigals | From Cantiones trium vocum, 1608. Transcribed for treble, treble or tenor, and bass viol consort. | Renaissance | trio | From Cantiones trium vocum... | 78 | 116 |