Total files: 276 Total pages: 11401
Composer | Title | Subtitle | Period | Players | Text | Pages | Downloads |
---|---|---|---|---|---|---|---|
Finck, Heinrich (c.1445-1527) | Missa de Beata Virgine | Arranged for treble, tenor and bass viol consort | Renaissance | trio | Arranged for treble, tenor and... | 27 | 11 |
Isaac, Heinrich (c.1450-1517) | Adieu fillette de regnon | Arranged for treble, tenor, bass viol consort | Renaissance | trio | Arranged for treble, tenor, ba... | 3 | 17 |
Aagesen, Truid (fl. 1593–1625) | 22 Three-Voice Madrigals | From Cantiones trium vocum, 1608. Transcribed for treble, treble or tenor, and bass viol consort. | Renaissance | trio | From Cantiones trium vocum... | 78 | 100 |
Abel, Carl Friedrich (1723-1787) | Music for Solo Viola da Gamba | from the Drexel 5871 manuscript, transcribed for tenor viola da gamba | Classical | solo | 30 pieces for solo viola da ga... | 63 | 109 |
Agricola, Alexander (1446-1506) | Caecus non Iudicat Coloribus | "The blind do not judge by color" Transcribed for treble, treble, and tenor viol consort | Renaissance | trio | Caecus non Iudicat Colorib... | 19 | 25 |
Agricola, Alexander (c.1446-1506) | Amours amours | For treble, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Renaissance | trio | Three pages, full score. Also ... | 3 | 108 |
Agricola, Alexander (c.1446-1506) | Amours amours | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Renaissance | trio | Three pages, full score. Also ... | 3 | 111 |
Agricola, Alexander (c.1446-1506) | D'ung aultre amer | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 70v-71r | Renaissance | trio | Three pages, full score, large... | 3 | 94 |
Anonymous | Barcelona Mass | 14th Century | Medieval | trio | Arranged for 3 and 4 viols. 23... | 24 | 80 |
Antonii, Giovanni Battista Degli (1636-1698) | Ricercate | per Violoncello o Clavicembalo, Op. 1 | Baroque | solo | 12 Ricercate. This is one of t... | 103 | 90 |
Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Treble Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 69 |
Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Tenor Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 82 |
Antoniotti, Giorgio (1692-1776) | Seven Sonatas for Two Bass Viols | Op. 1 | Baroque | duet | Originally for two cellos or t... | 49 | 90 |
Arcadelt, Jacques (1507-1568) | 13 Four-voice Madrigals | Arranged for viol consort | Renaissance | quartet | Full score compiled from print... | 34 | 96 |
Arcadelt, Jacques (1507-1568) | First Book of Madrigals for Three Voices | 31 Italian madrigals, French chansons and Latin motets arranged for a variety of viol trios | Renaissance | trio | 31 Italian Madrigals, French c... | 97 | 17 |
Bach, J.S. (1685-1750) | Corrente | Violin Partita #1 | Baroque | solo | This is an excellent exercise ... | 6 | 92 |
Bach, J.S. (1685-1750) | Allemande | Violin Partita #2 | Baroque | solo | This is an excellent exercise ... | 6 | 98 |
Bach, J.S. (1685-1750) | J.S. Bach - Collected Transcriptions | for tenor viola da gamba | Baroque | solo | Eight transcriptions from Bach... | 40 | 90 |
Bach, J.S. (1685-1750) | 22 Viol Solos from J.S. Bach's Violin and Cello works | Primarily for tenor viol, but versions for bass and treble are included. | Baroque | solo | 113 pages, paginated for print... | 113 | 80 |
Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for tenor viol | Baroque | solo | Originally for solo violin. 13... | 13 | 91 |
Bach, J.S. (1685-1750) | Ich ruf zu dir, Herr Jesu Christ | Chorale Prelude, BWV 639 | Baroque | trio | Arranged for treble, tenor and... | 2 | 113 |
Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for bass viol | Baroque | solo | Originally for solo violin. 13... | 13 | 109 |
Bach, J.S. (1685-1750) | 13 Four-Voice Chorales | Transcribed for treble, tenor, tenor, and bass viol consort. | Baroque | quartet | Transcribed for treble, tenor,... | 16 | 95 |
Bach, J.S. (1685-1750) | Trio for Two Violins and Viola da Gamba | Arranged for two treble viols and bass viol. Score and parts. | Baroque | trio | I found the score on imslp.org... | 12 | 86 |
Bach, J.S. (1685-1750) | Partita #3, BWV 1006 | Arranged for treble viol | Baroque | solo | Originally for solo violin. 13... | 13 | 83 |
Bassano, Giovanni (1558-1617) | 11 Three-part Fantasias | Arranged for viol consort: treble, tenor and bass or treble, tenor and tenor | Baroque | trio | While the original score is fo... | 69 | 99 |
Bateson, Thomas (1570-1630) | Six Three-Voice Secular Madrigals | The First Set of English Madrigals to 3-6 voices, 1598. | Renaissance | trio | Transcribed for treble, tenor ... | 10 | 95 |
Brachrogge, Hans (1590-1638) | 19 Three-Voice Madrigals | From Madrigaletti a tre voci, 1619 | Renaissance | trio | From Madrigaletti a tre vo... | 35 | 101 |
Byrd, William (1540-1623) | Mass for Five Voices | Renaissance | quintet | Arranged for treble, treble, t... | 72 | 100 | |
Byrd, William (1540-1623) | Mass for Three Voices, 1593 | Arranged for viol consort: Treble-Tenor-Bass and Tenor-Tenor-Tenor | Baroque | trio | Twp complete scores: Treble-Te... | 32 | 102 |
Byrd, William (1540-1623) | Four-Voice Sacred Motets | Transcribed for treble, tenor, tenor, and bass viol consort | Renaissance | quartet | 19 sacred motets transcribed f... | 69 | 99 |
Byrd, William (1540-1623) | Four-Voice Sacred Motets | Transcribed for treble, treble, tenor, and bass viol consort | Renaissance | quartet | 17 sacred motets transcribed f... | 69 | 102 |
Byrd, William (1540-1623) | 9 Three-Voice Motets | From Gradualia I, 1605. | Renaissance | trio | Transcribed for treble, tenor ... | 27 | 109 |
Byrd, William (1540-1623) | Mass for Three Voices, 1593 | Arranged for treble, treble and tenor viol consort. | Renaissance | trio | 18 pages. Large staves.... | 18 | 78 |
Byrd, William (1540-1623) | Fantasia a 5 | Two parts in one in the 4th above. | Renaissance | quintet | Full score and parts with larg... | 29 | 72 |
Cabezón, Antonio de (1510-1566) | Mass | Transcribed for treble, treble/tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 7 | 96 |
Caron, Firminus (fl. 1460–1475) | Three Part Chansons | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 48 | 6 |
Caron, Firminus (fl. 1460–1475) | Three Part Chansons | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 48 | 7 |
Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two tenor viols | Classical | duet | Full score. 36 pages.... | 36 | 93 |
Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two treble viols | Classical | duet | Full score. 36 pages.... | 36 | 96 |
Chiabrano, Gaetano (1725-1802) | Six Sonatas for Two Cellos | Arranged for two bass viols | Classical | duet | Full score. 36 pages.... | 36 | 66 |
Cipriano de Rore (1516-1565) | 4 Three-voice Madrigals | Arranged for treble-treble-tenor or tenor-tenor-bass viol consort | Renaissance | trio | Arranged for treble-treble-ten... | 36 | 18 |
Coclico, Adrianus Petit (1499-1562) | Eight Fugues | Renaissance | trio | Eight short fugues arranged fo... | 12 | 104 | |
Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 4 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 80 | 94 |
Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 3 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 102 | 106 |
Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 2 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 68 | 99 |
Corelli, Arcangelo (1653-1713) | 12 Trio Sonatas, Op. 1 | Originally for two violins and bass. Transcribed for treble, treble and bass viol consort. | Baroque | trio | Originally for two violins and... | 89 | 104 |
Courcelle, Francesco (1705-1778) | Libro di Contrapuncti a 3 | Arranged for most combinations of three viols | Baroque | trio | The 57 pieces are each present... | 589 | 28 |
Courcelle, Francesco (1705-1778) | Dos pasos orgánicos a 4 | Arranged for viol quartet | Baroque | quartet | Arranged for treble, treble, t... | 31 | 19 |
Davis, T. | 24 Country Dances for the Year 1748 | For solo viol with optional bass. | Classical | solo/duet | These pieces are simple but en... | 38 | 82 |
de Castro, Jean (c. 1540-c. 1600) | 39 Secular Chansons | from La Fleur des chansons a 3, Pierre Phalèse, 1574. | Renaissance | trio | Transcribed for treble, tenor ... | 84 | 102 |
de Fesch, Willem (1687-1761) | Six Sonata Duets, Op. 4b | Arranged for two treble, or two tenor, or two bass viols | Baroque | duet | Originally for two cellos. 131... | 131 | 104 |
de Fesch, Willem (1687-1761) | Six Sonata Duets, Op. 8b | Arranged for two treble, or two tenor, or two bass viols | Baroque | duet | Originally for two cellos. 99 ... | 99 | 81 |
de Monte, Philippe (1521-1603) | 24 Madrigals for 3 Voices | Arranged for treble, tenor, and tenor viol consort. | Renaissance | trio | Full scores with large staves.... | 63 | 96 |
de Orto, Marbrianus (1460-1529) | Missa Dominicalis | Arranged for four voice viol consort | Renaissance | quartet | Arranged for four voice viol c... | 83 | 12 |
de Vitry, Philippe (1291-1361) | Hugo Princeps | Arranged for all combinations of three viols | Medieval | trio | Arranged for all combinations ... | 20 | 22 |
de Vitry, Philippe (1291-1361) | Garrit Gallus | Arranged for all combinations of three viols | Medieval | trio | Arranged for all combinations ... | 26 | 40 |
Dowland, John (1563-1626) | 68 Songs, Madrigals, Hymns and Chorales | Transcribed for treble, tenor, tenor and bass viol consort. 100 pages. | Renaissance | quartet | This collection of transcripti... | 100 | 66 |
Dowland, John (1563-1626) | Farewell | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Renaissance | trio | Includes full score and parts,... | 13 | 99 |
Dowland, John (1563-1626) | Come Heavy Sleep | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Renaissance | trio | Transcribed from lute talbatur... | 1 | 96 |
du Caurroy, Eustache (1549–1609) | 7 Three-Part Fantasias | For various combinations of viols | Renaissance | trio | Each of the seven Fantasias ha... | 73 | 94 |
DuFay, Guillaume (?-1474) | Twelve Sacred and Secular Works for voices or instruments | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 33 | 10 |
DuFay, Guillaume (?-1474) | Twelve Sacred and Secular Works for voices or instruments | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 33 | 8 |
DuFay, Guillaume (?-1474) | Magnificat Quinti Toni | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 5 | 6 |
Dunstaple, John (1390-1453) | Missa Rex Seculorum | Arranged for treble, tenor and bass viol consort | Medieval | trio | Arranged for treble, tenor and... | 47 | 63 |
East, Michael (c.1580-1648) | Five Madrigals | Transcribed for treble, treble, tenor and bass viol consort | Renaissance | quartet | Five secular madrigals transcr... | 13 | 96 |
Farmer, John (1570?-1605) | 21 Psalms, Motets and Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 31 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 31 | 94 |
Feroci, Francesco (1673-1750) | Mass in G minor | Arranged for three viols | Baroque | trio | Arranged for viol trio. Four v... | 84 | 6 |
Francesco Canova da Milano (1497-1543) | Fantasia da mon Triste | Arranged for treble, tenor and bass viol consort from the 1546 lute tablature. | Renaissance | trio | Arranged for treble, tenor and... | 3 | 12 |
G.B. della Gostena (c. 1540-1598) | Fantasia XXV | Arranged for treble, tenor and bass viol consort from the 1599 lute tablature. | Renaissance | trio | Arranged for treble, tenor and... | 3 | 13 |
Gabriel Fauré (1845-1924) | Allegro Moderato | For tenor and tenor or bass viols | Classical | duet | Originally for two cellos. 1 p... | 1 | 80 |
Gabrieli, Andrea (c.1532-1585) | Maria Magdalene | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 101 | |
Gabrieli, Andrea (c.1532-1585) | Sancta et Immaculata | Renaissance | quartet | Arranged for treble, treble, t... | 3 | 88 | |
Gabrieli, Andrea (c.1532-1585) | Angelus ad Pastores ait | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 99 | |
Gabrieli, Andrea (c.1532-1585) | 11 Three-Voice Madrigals | From Libro primo de madrigali a 3 voci, 1575 | Renaissance | trio | From Libro primo de madrig... | 63 | 101 |
Gabrieli, Domenico (1651-1690) | Seven Ricercares for Solo Cello | Arranged for treble, tenor or bass viol | Baroque | solo | This collection is the earlies... | 73 | 96 |
Gastoldi, Giovanni (c. 1554-1609) | 16 Easy Madrigals | From Balletti a Tre Voci, 1594. | Renaissance | trio | From Balletti a Tre Voci
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Gero, Jhan (fl. 1540-1555) | 10 Three-Voice Madrigals | 16th Century | Renaissance | trio | 16th Century. Transcribed for ... | 22 | 79 |
Gesualdo, Carlo (1566-1613) | 23 Five-Part Madrigals | From Madrigali a 5 voci, libro sesto, 1611. Transcribed for viol consort. | Renaissance | quintet | From Madrigali a 5 voci, l... | 86 | 102 |
Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Arranged for treble, tenor, an... | 96 | 14 |
Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Arranged for treble, treble, a... | 96 | 8 |
Ghibel, Eliseo (1520-1581) | Il Primo Libro de Madrigali a Tre Voci | Arranged for tenor, tenor, and bass viol consort | Renaissance | trio | Arranged for tenor, tenor, and... | 96 | 18 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 26 | 22 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 26 | 19 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Instrumental Fantasias | Transcribed for tenor, bass and bass viol consort | Renaissance | trio | Transcribed for tenor, bass an... | 26 | 21 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 33 | 16 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 33 | 17 |
Ghiselin, Johannes (fl. 1455–1511) | 8 Chanson Fantasias | Transcribed for tenor, bass and bass viol consort | Renaissance | trio | Transcribed for tenor, bass an... | 33 | 23 |
Ghiselin, Johannes (fl. 1455–1511) | 5 Four-voice Chansons | Transcribed for viol consort. | Renaissance | quartet | Transcribed for viol consort. ... | 126 | 22 |
Gibbons, Orlando (1583-1625) | Fantasia, VdGS #2 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 10 | 85 |
Gibbons, Orlando (1583-1625) | Fantasia, VdGS #3 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 8 | 99 |
Gibbons, Orlando (1583-1625) | Fantasia, VdGS #4 | for three viols | Renaissance | trio | Two versions: treble, tenor an... | 8 | 81 |
Gibbons, Orlando (1583-1625) | Fantasia, VdGS #1 | for three viols | Renaissance | trio | For treble, tenor and bass. Fu... | 4 | 92 |
Gibbons, Orlando (1583-1625) | Fantasia No. 4 with great double bass | Arranged for treble, tenor and six-string bass viol. | Renaissance | trio | One of a set of four written f... | 8 | 81 |
Gilles Binchois | 8 Short Pieces | Rondeaux, Motets and Ballades. Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Rondeaux, Motets and Ballades.... | 9 | 103 |
Guillaume de Machaut (1300-1377) | 15 Two-Voice Ballades | Transcribed for viola da gamba duo | Medieval | duet | 60 pages. There are three vers... | 60 | 70 |
Guillaume de Machaut (1300-1377) | La Messe de Nostre Dame | Medieval | quartet | Arranged for four viols. Inclu... | 146 | 95 | |
Guillaume de Machaut (1300-1377) | Rose, Liz, Printemps, Verdure | Four-part rondeau | Medieval | quartet | A four part rondeau arranged f... | 4 | 90 |
Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for treble, tenor, and tenor viol consort | Medieval | trio | Transcribed for treble, tenor,... | 45 | 22 |
Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for tenor, tenor, and bass viol consort | Medieval | trio | Transcribed for tenor, tenor, ... | 45 | 25 |
Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for tenor, bass, and bass viol consort | Medieval | trio | Transcribed for tenor, bass, a... | 45 | 24 |
Guillaume de Machaut (1300-1377) | 18 Three-voice Ballades | Transcribed for treble, tenor and tenor recorder consort | Medieval | trio | Transcribed for treble, tenor ... | 45 | 21 |
Guillaume de Machaut (1300-1377) | Tres Bonne et Belle | Arranged for treble, tenor and tenor viol consort | Medieval | trio | Arranged for treble, tenor and... | 2 | 13 |
Guillaume de Machaut (1300-1377) | Three-Voice Rondeaux | Arranged for 3 treble, 3 tenor or 3 bass viol consort | Medieval | trio | Arranged for 3 treble, 3 tenor... | 68 | 17 |
Hayne van Ghizeghem (c.1445-c.1475) | Amours amours trop me fiers de tes dars | Laborde, f. 93v-94r | Renaissance | trio | Full score. 3 pages.... | 3 | 90 |
Hayne van Ghizeghem (c.1445-c.1475) | 12 Chansons | Transcribed for treble, tenor, and bass viol consort | Renaissance | trio | Full scores with large staves.... | 31 | 91 |
Hely, Benjamin | Three Suites | From The Compleat Violist, 1699 | Baroque | solo | Originally for bass viol. This... | 26 | 95 |
Holborne, Anthony (1545-1602) | 2 Three-Part Fantasias | For various combinations of three viols | Renaissance | trio | Alternate versions of each Fan... | 12 | 98 |
Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Technically easy trios for tre... | 71 | 19 |
Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Technically easy trios for tre... | 71 | 16 |
Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for tenor, tenor, and bass viol consort | Renaissance | trio | Technically easy trios for ten... | 71 | 18 |
Hollander, Christian (c.1512-1569) | 17 Triciniorum | Arranged for tenor, bass, and bass viol consort | Renaissance | trio | Technically easy trios for ten... | 71 | 17 |
Hugo de Lantins (fl. 1420–1430) | Three Part Works | Arranged for tenor, bass and bass viol trio | Renaissance | trio | Arranged for tenor, bass and b... | 40 | 2 |
Hugo de Lantins (fl. 1420–1430) | Three Part Works | Arranged for treble, treble and tenor viol trio | Renaissance | trio | Arranged for treble, treble an... | 40 | 4 |
Isaac, Heinrich (1450-1517) | Donna di dentro di tua casa | Arranged for viol consort (treble, tenor, tenor, bass). 3 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 81 |
Isaac, Heinrich (1450-1517) | Innsbruck, ich muss dich lassen | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 96 |
Isaac, Heinrich (1450-1517) | Mein Freud allein | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 109 |
Isaac, Heinrich (1450-1517) | Tmeisken was jonck | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 90 |
Isaac, Heinrich (1450-1517) | Alleluia Magnificat | Arranged for viol consort (treble, treble, tenor, bass). 3 pages. | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 81 |
Isaac, Heinrich (1450-1517) | 24 Instrumental Movements | Transcribed for treble, tenor and tenor viol consort. | Renaissance | trio | Trios from the Weltliche W... | 76 | 22 |
Jenkins, John (1592-1678) | 21 Three-part Fantasias | Arranged for treble, treble and tenor viol consort. | Baroque | trio | Includes full scores and parts... | 256 | 109 |
Johannes Ciconia (1370-1412) | Una Panthera | Arranged for three viols | Medieval | trio | Two versions: Treble, tenor, t... | 20 | 111 |
Johannes Ciconia (1370-1412) | Venetia Mundi Splendor | Arranged for three viols | Medieval | trio | Two versions: Treble, treble, ... | 16 | 102 |
Johannes Ciconia (1370-1412) | O Padua, sidus praeclarum | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble a... | 3 | 23 |
Johannes Ciconia (1370-1412) | Et in Terra Pax | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble a... | 3 | 22 |
John Dunstaple (1390-1453) | Missa Rex Seculorum | Arranged for three viols | Medieval | trio | One of the earliest settings o... | 47 | 199 |
John Dunstaple (1390-1453) | Regina Coeli | Arranged for various combinations of three viol | Medieval | trio | Arranged for treble-treble-tre... | 22 | 24 |
Joseph dall'Abaco (1710-1805) | 7 Caprices | From 11 Capricci a violoncello solo | Baroque | solo | Includes versions for treble, ... | 40 | 97 |
Josquin des Prez (c. 1450-1521) | Seven Four-Voice Sacred Motets (TrTeTeBa) | Arranged for viol consort (treble, tenor, tenor, bass) | Renaissance | quartet | Full scores for treble, tenor,... | 42 | 99 |
Josquin des Prez (c. 1450-1521) | Seven Four-Voice Sacred Motets (TrTrTeBa) | Arranged for viol consort (treble, treble, tenor, tenor, bass) | Renaissance | quartet | Full scores for treble, treble... | 46 | 98 |
Josquin des Prez (c. 1450-1521) | Dulces exuviae | Arranged for treble, treble, tenor and bass viols. | Renaissance | quartet | Arranged for treble, treble, t... | 3 | 107 |
Josquin des Prez (c. 1450-1521) | Fama malum | Arranged for viol consort (treble, treble, tenor, bass) | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 100 |
Josquin des Prez (c. 1450-1521) | Mille regrets | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 96 |
Josquin des Prez (c. 1450-1521) | Scaramella fa la guerra | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 90 |
Josquin des Prez (c. 1450-1521) | Alma Redemptoris Mater | Arranged for viol consort (treble, treble, treble, bass) | Renaissance | quartet | Arranged for viol consort (tre... | 5 | 95 |
Josquin des Prez (c. 1450-1521) | Ave Maris Stella | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 8 | 96 |
Josquin des Prez (c. 1450-1521) | Benedicta Sit Creatrix | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 106 |
Josquin des Prez (c. 1450-1521) | Christe, Fili Dei | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 80 |
Josquin des Prez (c. 1450-1521) | In Flagellis Potem Fellis | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 90 |
Josquin des Prez (c. 1450-1521) | Tu Pauperum Refugium | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 89 |
Josquin des Prez (c. 1450-1521) | O Bone et Dulcis Domine Jesu | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 110 |
Josquin des Prez (c. 1450-1521) | O Salutaris Hostia | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 77 |
Josquin des Prez (c. 1450-1521) | Rubum Quem Viderat | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 82 |
Josquin des Prez (c. 1450-1521) | Victimae Paschali Laudes | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 78 |
Josquin des Prez (c. 1450-1521) | Virgo Prudentissima | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 75 |
Josquin des Prez (c. 1450-1521) | Vultum Tuum | Arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 94 |
Josquin des Prez (c. 1450-1521) | En l'ombre d'un buissonnet | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 104 |
Josquin des Prez (c. 1450-1521) | Il Fantazies de Joskin | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 15 |
Landini, Francesco (1335-1397) | 39 Ballate & Madrigals | Arranged for treble, treble and tenor viol consort | Medieval | trio | Arranged for treble, treble an... | 110 | 96 |
Landini, Francesco (1335-1397) | 39 Ballate & Madrigals | Arranged for tenor, tenor, and bass viol consort | Medieval | trio | Arranged for tenor, tenor and ... | 110 | 64 |
Lasso, Orlando di (1532-1594) | 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, treble, tenor and bass viol consort | Renaissance | quartet | This collection of transcripti... | 100 | 99 |
Lasso, Orlando di (1532-1594) | 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, tenor, tenor and bass viol consort | Renaissance | quartet | This collection of transcripti... | 110 | 91 |
Lasso, Orlando di (1532-1594) | 15 Three-Voice Motets | From Liber Mottetarum 3 Vocum, 1575. Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | From Liber Mottetarum 3 Vo... | 50 | 106 |
Lasso, Orlando di (1532-1594) | Domine, Deus Meus | For three viols | Renaissance | trio | Full score, 2 pages, with larg... | 4 | 88 |
Lawes, William (1602-1645) | Suite No.1 for 3 Viols and Organ | Transcribed for treble, treble and tenor viol consort | Baroque | trio | Transcribed for treble, treble... | 11 | 24 |
Lawes, William (1602-1645) | Fantasia Suites for 3 Viols and Organ | Arranged for treble, treble, and tenor viol consort | Baroque | trio | Eight three-movement suites ea... | 90 | 31 |
Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for treble, treble and tenor viol consort | Renaissance | trio | Arranged for treble, treble an... | 147 | 20 |
Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 147 | 17 |
Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for tenor, tenor and bass viol consort | Renaissance | trio | Arranged for tenor, tenor and ... | 147 | 15 |
Le Jeune, Claude (1528-1600) | 50 Psalms Set to Three Voices | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass and b... | 147 | 16 |
Loeillet, Jean-Baptiste (1688-1720) | Trio Sonata, Op.2, No.1 | originally for two violins and bass | Baroque | trio | Arranged for two treble viols ... | 8 | 91 |
Loeillet, Jean-Baptiste (1688-1720) | Trio Sonata, Op.2, No.2 | originally for two violins and bass | Baroque | trio | Arranged for two treble viols ... | 14 | 95 |
Lupo, Thomas (1571-1627) | 19 Three-Part Fantasias | For various combinations of viols | Renaissance | trio | For various combinations of th... | 84 | 100 |
Marenzio, Luca (1553-1599) | Madrigali a quattro voci libro primo, 1585 | Transcribed for treble, tenor, tenor and bass consort. 90 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 90 | 99 |
Martini, Johannes (1440-1498) | Three Untitled Pieces | Arranged for treble, tenor, and bass viol consort | Renaissance | trio | Arranged for treble, tenor, an... | 10 | 18 |
Merulo, Claudio (1533-1604) | 7 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor,... | 16 | 97 |
Monteverdi, Claudio (1567-1643) | 14 Three-voice Madrigals and Motets | Transcribed for treble, tenor and bass viol consort | Baroque | trio | Transcribed for treble, tenor ... | 23 | 97 |
Monteverdi, Claudio (1567-1643) | Messa da Capella a quattro voci (1641) | Transcribed for treble, tenor, tenor, and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 56 | 92 |
Morales, Cristóbal de (c.1500-1553) | Si no os hubiera mirado | Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 1 | 75 |
Morales, Cristóbal de (c.1500-1553) | Puer natus est nobis | Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 2 | 98 |
Morales, Cristóbal de (c.1500-1553) | Nine Benedictus | Arranged for three viols, from masses by Morales | Renaissance | trio | Most of Morales' masses, regar... | 18 | 99 |
Morley, Thomas (c. 1557-1602) | Madrigals to Four Voices | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 67 | 76 |
Morley, Thomas (c. 1557-1602) | Madrigals to Four Voices | Transcribed for treble, treble, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 62 | 99 |
Morley, Thomas (c. 1557-1602) | Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, tenor, tenor viol consort. | Renaissance | trio | 20 Canzonets originally for vo... | 71 | 82 |
Morley, Thomas (c. 1557-1602) | Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, treble, tenor viol consort. | Renaissance | trio | 20 Canzonets originally for vo... | 71 | 106 |
Mortaro, Antonio (c. 1570-1620) | Five Sacred Songs | Arranged for treble, treble and bass, or treble, treble and tenor viol consort. | Baroque | trio | Arranged for treble, treble an... | 35 | 31 |
Morton, Robert (1430-1479) | Eight Rondeaux | Arranged for treble, tenor and bass viol trio | Renaissance | trio | Arranged for treble, tenor and... | 15 | 6 |
Morton, Robert (1430-1479) | Eight Rondeaux | Arranged for treble, tenor and tenor viol trio | Renaissance | trio | Arranged for treble, tenor and... | 15 | 7 |
Mozart, Wolfgang Amadeus (1756-1791) | Fugue in G Major, KV 443 | Originally for violin, viola and cello. Arranged for treble, tenor and bass viols. | Classical | trio | Originally for violin, viola a... | 4 | 100 |
Ockeghem, Johannes (1410-1497) | Missa Quinti Toni | Arranged for treble/tenor, tenor/bass and bass viol consort. | Renaissance | trio | Arranged for treble/tenor, ten... | 63 | 8 |
Ockeghem, Johannes (1410-1497) | Missa Sine Nomine a 3 | Arranged for treble/tenor, tenor/bass and tenor/bass viol consort (two sets of clefs) | Renaissance | trio | Arranged for treble/tenor, ten... | 55 | 8 |
Orlando di Lasso (1532-1594) | Laudate Dominum Omnes Gentes | from Magnum opus musicum (Munich 1604), LV 1122 | Renaissance | 12 parts | For 12 part viol orchestra. Fu... | 67 | 106 |
Orlando di Lasso (1532-1594) | 25 Harmonized Psalms | Arranged for treble, tenor and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 51 | 29 |
Palestrina, G. P. da (c. 1525-1594) | Motecta Festorum for Four Voices, Book One, 1564 | Transcribed for treble, tenor, tenor and bass viol consort. 136 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 139 | 83 |
Palestrina, G. P. da (c. 1525-1594) | Motecta Festorum for Four Voices, Book Two, 1587 | Transcribed for treble, tenor, tenor and bass viol consort. 78 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 78 | 92 |
Palestrina, G. P. da (c. 1525-1594) | Missa Emendemus | Missarum liber septimus, 1594 | Renaissance | quartet | Arranged for treble, tenor, te... | 17 | 95 |
Palestrina, G. P. da (c. 1525-1594) | Missa Iste Confessor | Missarum liber quintus, 1590 | Renaissance | quartet | Arranged for treble, tenor, te... | 18 | 99 |
Palestrina, G. P. da (c. 1525-1594) | Missa Lauda Sion | Missarum liber quartus, 1582 | Renaissance | quartet | Arranged for treble, tenor, te... | 17 | 101 |
Pérotin (1160-1230) | Ave Maris Stella | Arranged for three viols (two versions) | Medieval | trio | Two versions: Treble, tenor an... | 12 | 104 |
Pérotin (1160-1230) | Triplum Organum | Arranged for three viols | Medieval | trio | Arranged for treble, tenor and... | 3 | 104 |
Pérotin (1160-1230) | Quid Tu Vides | Arranged for three viols (two versions) | Medieval | trio | Two versions: Treble, treble a... | 6 | 102 |
Perotin (fl. 1200) | Two Pieces by Perotin | Ave Maris Stella and Quid Tu Vides arranged for treble, tenor and tenor viol consort | Medieval | trio | Ave Maris Stella and ... | 6 | 1 |
Philippe le Chancelier (ca. 1160–1236) | Luto Carens | Transcribed for all combinations of three viols | Medieval | trio | Transcribed for all combinatio... | 32 | 21 |
Philippus de Caserta (1350-1420) | Espoir | Medieval | trio | Originally for three voices, a... | 3 | 93 | |
Piazzi, Carlo | Balletti, Correnti, Gighe, e Sarabande à trè due Violini e Violone | Arranged for treble, treble and tenor or bass viol consort. | Baroque | trio | Balletti, Correnti, Gighe, e S... | 83 | 73 |
Pullois, Johannes (1430-1478) | Three Part Chansons | Arranged for treble, treble, and tenor viol consort | Renaissance | trio | Arranged for treble, treble, a... | 25 | 5 |
Pullois, Johannes (1430-1478) | Three Part Chansons | Arranged for tenor, tenor and bass viol consort | Renaissance | trio | Arranged for tenor, tenor and ... | 25 | 4 |
Purcell, Henry (1659-1695) | Sonatas of Three Parts | 12 Sonatas, originally for two violins and cello, Z. 790-801. | Baroque | trio | 12 Sonatas, Z. 790-801, origin... | 99 | 102 |
Purcell, Henry (1659-1695) | Sonatas of Four Parts | 10 Sonatas, originally for two violins, bass and continuo, Z. 802-811. | Baroque | trio | 10 Sonatas, Z. 802-811, origin... | 97 | 101 |
Purcell, Henry (1659-1695) | Three Fantasias for Three Viols | Large staff scores for ancient eyes | Baroque | trio | Composed for treble, tenor and... | 16 | 100 |
Richafort, Jean (1480 -1547) | Christe totius dominator orbis | Transcribed for treble, tenor, tenor and bass viols | Renaissance | quartet | Transcribed for treble, tenor,... | 7 | 103 |
Robert Fayrfax (1464-1521) | Five Songs for Three Voices | Arranged for treble, tenor and bass viol consort | Renaissance | trio | Arranged for treble, tenor and... | 17 | 22 |
Ruffo, Vincenzo (c.1508-1587) | Eight Caprici | Capricci in Musica a 3 voci (Francesco Moscheni press, Milan, 1564) | Renaissance | trio | Eight caprici arranged for tre... | 34 | 94 |
Ruffo, Vincenzo (c.1508-1587) | La Gamba in Basso e Soprano | Transcribed for treble, tenor, and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor,... | 3 | 15 |
Rusca, Claudia Francesca (1593-1676) | Due Canzoni | Canzon Prima detta LA BORROMEA à 4 and Canzon Seconda à 4 | Renaissance | quartet | Full score and complete parts ... | 30 | 77 |
Scarlatti, Alessandro (1660-1725) | Miserere Mei | Transcribed for treble, tenor, tenor and bass viol consort | Baroque | quartet | Transcribed for treble, tenor,... | 3 | 96 |
Schenck, Johannes (1660-1712) | Sonata 4 | Transcribed from the Vienna Manuscript. For bass viol | Baroque | solo | Transcribed from a facsimile o... | 7 | 81 |
Schenck, Johannes (1660-1712) | Sonata 4 | Transcribed from the Vienna Manuscript. For tenor viol | Baroque | solo | Transcribed (into D minor) fro... | 8 | 101 |
Schenck, Johannes (1660-1712) | Sonata 5 | Transcribed from the Vienna Manuscript. For tenor viol | Baroque | solo | Transcribed (into D minor) fro... | 7 | 93 |
Schenck, Johannes (1660-1712) | Sonata 5 | Transcribed from the Vienna Manuscript. For bass viol | Baroque | solo | Transcribed from a facsimile o... | 7 | 100 |
Schenck, Johannes (1660-1712) | Sonata | L'Echo du Danube, Op.9, No.5. For tenor viol | Baroque | solo | Transcribed tenor viol. 5 page... | 5 | 91 |
Schenck, Johannes (1660-1712) | Sonata | L'Echo du Danube, Op.9, No.6. For tenor viol | Baroque | solo | Transcribed tenor viol. 8 page... | 8 | 90 |
Scotto, Girolamo (c.1505-1572) | 49 Three-voice Madrigals | Arranged for tenor, bass and bass viol consort | Renaissance | trio | Arranged for tenor, bass, and ... | 149 | 52 |
Scotto, Girolamo (c.1505-1572) | 49 Three-voice Madrigals | Arranged for treble, tenor, and tenor viol consort | Renaissance | trio | Arranged for treble, tenor and... | 149 | 50 |
Solage (c. 1350-c. 1403) | Fumeux fume par fumée | Transcribed for three viols | Medieval | trio | Transcribed for three viols: t... | 6 | 23 |
Supriano, Francesco Paolo | Twelve Toccate for violoncello solo | Arranged for viola da gamba | Baroque | solo | Includes versions for treble, ... | 66 | 98 |
Susato, Tielman (1500-1570) | Premier Livre des Chansons a Trois Parties, 1544 | Transcribed for treble, tenor and tenor viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 82 | 22 |
Susato, Tielman (1500-1570) | Premier Livre des Chansons a Trois Parties, 1544 | Transcribed for treble, tenor and bass viol consort | Renaissance | trio | Transcribed for treble, tenor ... | 82 | 26 |
Sweelinck, Jan Pieterszoon (1562-1621) | Seigneur enten ma requeste | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 2 | 92 |
Tallis, Thomas (c. 1505-1585) | Alleluia, ora pro Nobis | Sacred Motet | Renaissance | quartet | Arranged for treble, treble, t... | 2 | 101 |
Tartini, Giuseppe (1692-1770) | 26 Piccole Sonate | Selected Pieces arranged for viol | Rococo | solo | Thirteen short pieces original... | 48 | 112 |
Taverner, John (!1490-1545) | Western Wind Mass | Transcribed for treble, tenor, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, tenor,... | 61 | 78 |
Taverner, John (1490-1545) | 13 Three-voice Pieces | From Tudor Church Music, 1922. Arranged for several combinations of three viols | Renaissance | trio | From Tudor Church Music
24 |
25 |
|
Telemann, Georg Philipp (1681-1767) | Twelve Fantasias for Viola da Gamba | transcribed for tenor viola da gamba | Baroque | solo | Originally for bass viol. 43 p... | 43 | 102 |
Telemann, Georg Philipp (1681-1767) | Fantasie 11 | From 12 Fantasias for Violin without Bass TWV: 40:24 | Baroque | solo | Includes versions for tenor, b... | 14 | 97 |
Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two treble viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 103 |
Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two tenor viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 74 |
Telemann, Georg Philipp (1681-1767) | Six Sonatas, arranged for two bass viols | Op. 2 (1727). TWV: 40:101-106 | Baroque | duet | Originally for two flutes or v... | 153 | 73 |
Telemann, Georg Philipp (1681-1767) | Six Canonic Sonatas | Op. 5, TWV 40:118-123 | Baroque | duet | Arranged for two bass, two ten... | 81 | 103 |
Telemann, Georg Philipp (1681-1767) | Triosonate F-dur, Twv 42: F7 | Arranged for treble, treble and bass viol. | Baroque | trio | Originally for two recorders a... | 8 | 95 |
Tollius, Jan (c.1550-1620) | 13 Three-Voice Motets | From Moduli Trium Vocum, 1597 | Renaissance | trio | From Moduli Trium Vocum
36 |
129 |
|
Tomkins, Thomas (1572-1656) | 12 Four-Voice Madrigals and Anthems | Transcribed for treble, tenor, tenor, and bass viol consort. 32 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 32 | 91 |
Tomkins, Thomas (1572-1656) | 10 Three-Voice Anthems | Transcribed for treble, tenor and bass viol consort. 21 pages. | Renaissance | trio | Transcribed for treble, tenor ... | 21 | 103 |
Tomkins, Thomas (1572-1656) | Six Songs for Three Voices | Arranged for treble, treble and tenor viol consort. | Baroque | trio | Arranged for treble, treble an... | 19 | 17 |
Tomkins, Thomas (1572-1656) | Six Songs for Three Voices | Arranged for tenor, tenor and bass viol consort. | Baroque | trio | Arranged for tenor, tenor and ... | 19 | 21 |
Traditional | 30 Irish, English and Scottish Dances | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 73 | 100 |
Traditional | 55 Irish, English and Scottish Dances, Vol. 3 | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 125 | 89 |
Traditional | 24 Irish, English and Scottish Dances, Vol. 2 | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | A collection of traditional da... | 45 | 92 |
Tye, Christopher (c. 1500-1573) | 24 Easy Anthems, Motets and Carols | Transcribed for treble, tenor, tenor and bass viol consort Dick Yates. 30 pages. | Renaissance | quartet | This collection of transcripti... | 33 | 100 |
Van Eyck, Jacob (1590-1657) | Der Fluyten Lust-hof, Volume 1 | Arranged for tenor viol | Baroque | solo | Originally for recorder, this ... | 149 | 116 |
Various | Twenty Christmas Carols | Arranged for four viols | Various | quartet | These traditional carols are p... | 42 | 91 |
Various | Manchester Lyra Viol Book | 27 Treble Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 100 |
Various | Manchester Lyra Viol Book | 27 Tenor Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 94 |
Various | Manchester Lyra Viol Book | 27 Bass Viol Solos in Violl Waye Tuning | Baroque | solo | The 27 pieces in the Mancheste... | 48 | 108 |
Various | Select Preludes | Originally for violin. Published by John Walsh, 1705. | Baroque | solo | A collection of 35 preludes or... | 130 | 100 |
Various | Three Lute Fantasias by Francesco da Milano & Giovanni Battista dalla Gostena | Dis-intabulated for treble, tenor and bass viol consort | Renaissance | trio | Dis-intabulated for treble, te... | 13 | 13 |
Verdelot, Philippe (c. 1480- c. 1530) | Il Primo Libro de Madrigali, 1533 | Transcribed for treble, tenor, tenor and bass viol consort. 59 pages. | Renaissance | quartet | 28 short madrigals by the "fat... | 59 | 92 |
Victoria, Tomas Luis de (1548-1611) | Beati Immaculati | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 96 |
Victoria, Tomas Luis de (1548-1611) | Doctor Bonus Amica Dei | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 94 |
Victoria, Tomas Luis de (1548-1611) | Domine, non sum dignus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 98 |
Victoria, Tomas Luis de (1548-1611) | Ecce sacerdos magnus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 2 | 95 |
Victoria, Tomas Luis de (1548-1611) | Ego sum panis vivus | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 82 |
Victoria, Tomas Luis de (1548-1611) | Hosanna filio David | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 92 |
Victoria, Tomas Luis de (1548-1611) | Miserere mei | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 1 | 98 |
Victoria, Tomas Luis de (1548-1611) | O decus apostolicum | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 93 |
Victoria, Tomas Luis de (1548-1611) | Pueri Hebraeorum | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 92 |
Victoria, Tomas Luis de (1548-1611) | Quam pulchri sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 4 | 97 |
Victoria, Tomas Luis de (1548-1611) | Senex puerum portabat | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 87 |
Victoria, Tomas Luis de (1548-1611) | Tres sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 93 |
Victoria, Tomas Luis de (1548-1611) | Vere languores | Motet arranged for viol consort (treble, treble, tenor, bass). | Renaissance | quartet | Arranged for viol consort (tre... | 3 | 97 |
Victoria, Tomas Luis de (1548-1611) | 33 Sacred Motets | Transcribed for treble, tenor, tenor and bass viol consort. 82 pages. | Renaissance | quartet | This collection of transcripti... | 85 | 97 |
von Westhoff, Johann Paul (1665-1705) | Gigue | Suite in A minor | Baroque | solo | This is a curious piece from o... | 3 | 93 |
Ward, John (1571-1638) | A satyr once did run away | Transcribed for treble, treble, tenor and bass viol consort. | Renaissance | quartet | Transcribed for treble, treble... | 2 | 75 |
Weelkes, Thomas (1575 -1623) | 18 Madrigals | from Ayres or Phantasticke Spirits for Three Voices (1608). Transcribed for treble, tenor and bass viol consort. | Renaissance | trio | Transcribed for treble, tenor ... | 23 | 110 |
Weelkes, Thomas (1575 -1623) | 5 Four-Voice Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 11 pages. | Renaissance | quartet | Transcribed for treble, tenor,... | 13 | 84 |
Wilbye, John (1574-1638) | 13 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. 32 pages. | Renaissance | trio | Transcribed for treble, tenor,... | 32 | 102 |
Willaert, Adrian (c. 1490-1562) | Ricercar Primo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 16 | 102 |
Willaert, Adrian (c. 1490-1562) | Ricercar Segondo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 30 | 102 |
Willaert, Adrian (c. 1490-1562) | Ricercar Terzo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores and parts. The... | 34 | 102 |
Willaert, Adrian (c. 1490-1562) | Ricercar Quarto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full scores and parts. The top... | 19 | 91 |
Willaert, Adrian (c. 1490-1562) | Ricercar Quinto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full scores and parts. The top... | 17 | 94 |
Willaert, Adrian (c. 1490-1562) | Ricercar Sesto | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. The treb... | 15 | 80 |
Willaert, Adrian (c. 1490-1562) | Ricercar Settimo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Full score and parts. All stav... | 15 | 100 |
Willaert, Adrian (c. 1490-1562) | Ricercar Ottavo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores and parts. The... | 17 | 91 |
Willaert, Adrian (c. 1490-1562) | Ricercar Decimo | Fantesie Recercari Contrapunti à 3, 1559 | Renaissance | trio | Two full scores - one for treb... | 6 | 79 |
Zacara da Terano, Antonio | Sumite Karissimi | Arranged for several combinations of three viols | Medieval | trio | Arranged for several combinati... | 14 | 22 |